Today Pixelmator Pro has launched on iPad for the first time, exclusive to Apple Creator Studio. Here’s what the app can do.
“Frankenstein,” “F1” and “KPop Demon Hunters” also scored multiple nods from the Motion Picture Sound Editors, as did “Stranger Things,” “Andor” and “The Last of Us” "Sinners" (Credit: Warner Bros.) ...
Oscars Best Film Editing Commentary (Updated Jan. 21, 2026): Since film editing became an Oscar category in 1934, its connection to the best picture race has been unmistakable. From 1981 through 2013, ...
When it comes to content creation, sound is vital. What a listener hears, whether it be an audio-only format or a video, greatly influences how they perceive a piece of content. Good audio signals ...
Now 82 years old, Walter Murch is the Hollywood legend you’ve never heard of. He was the film editor on Julia, the sound editor on Godfather, Godfather II, and American Graffiti, and both film and ...
Christopher Scarabosio only needed 15 minutes to start dreaming. The supervising sound editor and re-recording mixer was jet-lagged, drifting between trips to London, when writer-director Paul Thomas ...
Meta Platforms Inc. is bringing prompt-based editing to the world of sound with a new model called SAM Audio that can segment individual sounds from complex audio recordings. The new model, available ...
“Our movie set is also a recording studio,” says the film's production sound mixer Simon Hayes in this exclusive featurette. A newly released featurette pulls back the curtain on Wicked: For Good’s ...
Bringing Apple Original Films’ F1 to life was no easy feat. “I was always told, ‘Racing movies don’t work,’” said director and producer Joseph Kosinski during Deadline’s Contenders Film: Los Angeles ...
As part of its ongoing rebrand, Apple has unveiled a new Apple TV bumper — but blink and you could miss it. On Monday, Apple released a very short video showcasing the brand new Apple TV logo. The ...
AI-generated summary reviewed by our newsroom. Read our AI Policy. When maestro Kwamé Ryan first looked at the redesigned logo for the Charlotte Symphony last year, he not only liked what he saw but ...
When maestro Kwamé Ryan first looked at the redesigned logo for the Charlotte Symphony last year, he not only liked what he saw but something about it really struck a chord with him, too. In his mind, ...
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